Page 17 - Paradise City Guide Fall 2018
P. 17

Show Stoppers



                                                  "For my subject matter I choose the human form. A
                                               very recognizable shape that can be read by the viewer
                                                    from any angle, essential for mobiles. I stylize the
                                                                figure just to the edge of what viewers
                                                              consider naturalistic. But since the piece
                                                         is  essentially seen only in silhouette I have to
                                                      exaggerate some aspects of the form in order to
                                                    appear naturalistic. I elongate the limbs, cinch the
                                                     elbows and knees and carve the backbone deep."

                                                                                         Michael Gard
                                                                                  Marlborough, Booth 156





































           Michael Gard's sculptures begin as a block of
           clay and a spool of wire. The clay is sculpted
           and reproduced in wax. Individual lengths of
           wire are woven and knotted stitch-by-stitch
           around the wax form. Finally the wax is
           melted away, leaving a rigid figure, both
           light and strong. Originally sculpted in
           pure metallic finishes, some of the
           figures now incorporate glimmering
           LED lights and even brightly colored
           enameled wires. Born in London,
           Gard now works out of his sculpture
           studio in San Francisco.



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